![]() Greg serves her with divorce papers - driving Joan to smash things and yell at the inept receptionist - and she refuses Roger’s offer to support her. They got that here, which was the first of two back-to-back episodes where Hendricks does some of her best acting. If Mad Men fans wanted Joan to nail Greg over the rape scene, what they wanted more was for Weiner and the writing staff to get Joan and Don together for a lengthy scene of mutual admiration. Where once Joan would have gloated, Hendricks plays it knowing, woman-to-woman in the changing world. Having found marriage less than she imagined, Joan calls the more modern Peggy’s situation romantic and downplays the importance of the institution. In a series where change occurs mostly in the exterior portrait of the culture and so seldom in the characters, Hendricks brings a humbled humanity to Joan as she deals with Peggy’s dashed hopes about a wedding proposal from Abe (he only wants to move in with her). And you know what I’m talking about.” Hendricks’ glare sent the message. As for that “good man” notion, a seething Joan says: “You never were - even before we were married. He’s a jerk and a rapist, and when his low self-esteem gets inflated by the military that, says Greg, makes him feel like a good man, he re-enlists without consulting Joan. Hitting Greg over the head with a vase in season three? Not good enough. She’d be in her eighties, so probably a bejeweled sweatsuit!Ĭlick through the gallery to see pictures of Joan’s outfits go from sketch to screen.This was the episode Joan fans needed for closure. For Joan it’s her broaches and signature pen necklace-it’s like her sword to fend off all those men in the office. ![]() I felt so honored that he wanted to write a line about the dress.Įach character’s wardrobe seems to have a signature touch-was that a conscious choice or was it written in the scripts? ![]() When I showed Matthew my fitting photos he loved the dress so much that he wrote a part in the script where Roger Sterling remarks that it looks like she’s a wrapped present. Oh I have so many! I love Joan’s Christmas dress, the one with the red bows. I loved the idea of pink because it symbolizes pride and it’s a happy, fresh color but it’s all façade, because she’s in fact feeling terrible. When Matthew Weiner and I were discussing the scene, he wanted her to seem like everything was going great at home he wanted her to be overdressed. For example, the pink silk cocktail dress with black flowers that she wears to the office when she’s just had her baby. My ideas for how I’m seeing Joan shift in costume design change as the story changes-maybe there’s a certain mood that I can help illustrate by changing the color of her dress. Joan’s wardrobe seems to evolve as her character does on the show. Usually it’s a combination of designing from scratch, renting vintage pieces or redesigning my own vintage finds. Once I have that I can begin my design board for each outfit.ĭo you create most outfits from scratch or do you also source vintage wardrobes?Ī little bit of both actually. From there, I’ll start my visual research by watching movies of the period, looking at catalogs, photographs, newspapers and magazines. That’s were the initial inspiration comes from- time period, tone, dialog, etc. The show spans almost a decade-what has been the most challenging part of creating wardrobes to match that?įor me, the script is always the starting point. Ahead of Sunday’s premiere, DuJour talked to Bryant about her process and what makes Joan Holloway (played by Christina Hendricks) special. It’s not easy to recreate period costumes on screen-let alone do it convincingly for almost a decade-but Janie Bryant, costume designer for Mad Men, has managed to take us on a sartorial ride for the past seven seasons thanks to her impressive designs.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |